{"id":2331,"date":"2023-08-30T10:20:06","date_gmt":"2023-08-30T08:20:06","guid":{"rendered":"https:\/\/olms.nomos.de\/?page_id=2331"},"modified":"2025-02-04T17:09:50","modified_gmt":"2025-02-04T16:09:50","slug":"romance","status":"publish","type":"page","link":"https:\/\/www.olms.de\/en\/romance\/","title":{"rendered":"Romance Studies"},"content":{"rendered":"\n
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Our Romance Studies programme is led by three influential book series. Bold and provocative in equal measure, the series, PASSAGES, Theory and Critique of Culture and Literature (TCCL) and Theory and Practice of Theatre. Performance and Visual Arts (TPTPVA), question academic paradigms and explore concepts of identity.<\/p>\n

Published in German, English, French, Spanish and Portuguese, the series take their cues from the fields of\u00a0 literature, theatre, film, history, anthropology and gender studies in the anglo-french-speaking world. Their discussions transcend boundaries – not only in their interdisciplinary nature but in their fearless portrayals of the future.<\/p>\n

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Book Series<\/h3>\n\n <\/div>\n<\/section>\n\n\n
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\n PASSAGES \/ PASSAGEN\n <\/h2>\n\n
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Francophone \u2013 Caribbean \u2013 Francophone and Hispanophone Maghrebian Studies<\/em><\/p>\n

\u00c9tudes Francophones – \u00c9tudes Carib\u00e9ennes \u2013 \u00c9tudes maghr\u00e9bines franco et hispanophones<\/em><\/p>\n

Estudios franc\u00f3fonos \u2013 Estudios del Caribe – Estudios magrebinos franco e hispan\u00f3fonos <\/em><\/p>\n

Editors \/ \u00e9diteurs<\/strong>\u00a0\/ <\/strong>editores*as<\/strong><\/p>\n

Birgit Mertz-Baumgartner<\/a> (University of Innsbruck) <\/em>(Managing Director\/Directora General)<\/p>\n

Annegret Richter<\/a> (University of Heidelberg) <\/em>(Managing Director\/Directora General)<\/p>\n

Alfonso de Toro<\/a> (University of Leipzig)<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n

Julia Rosmarie Pr\u00f6ll<\/a> (University of Innsbruck)<\/em><\/p>\n

Edwige Tamalet Tabayev<\/a> (Tulane University of New Orleans)<\/em><\/p>\n

Please send publication proposals for the series PASSAGEN to Annegret Richter.
\nDeadlines for the submission of manuscripts: March 1, June 1, September 1, December 1.<\/p>\n

Publishing board \/ Conseil acad\u00e9mique \/ consejo acad\u00e9mico<\/strong><\/p>\n

Ursula B\u00e4hler<\/a> (University of Z\u00fcrich)<\/em><\/p>\n

Touriya Fili-Tullon<\/a> (Universit\u00e9 Lumi\u00e8re Lyon 2)<\/em><\/p>\n

Claudia Gronemann<\/a> (University of Mannheim)<\/em><\/p>\n

Jane Hiddleston<\/a> (Exeter College, University of Oxford)<\/em><\/p>\n

Susan Ireland<\/a> (Grinnell College)<\/em><\/p>\n

Jean-Marc Moura<\/a> (Universit\u00e9 Paris\/Nanterre)<\/em><\/p>\n

Marta Segarra<\/a> (Universitat de Barcelona\/CNRS Paris)<\/em><\/p>\n

The international, peer-reviewed Passages series, which has been published since 2002, showcases a transdisciplinary, transcultural, and transmedia approach in the field of Franco-phone studies (Maghreb, Caribbean and Canada). The series, which includes monographs and anthologies in French, Spanish, German, English, Italian, Portuguese, and German, is aimed at both academic and non-academic audiences interested in culture. It also promotes the participation of young academics in the publication of outstanding and innovative doctoral and postdoctoral theses.
\nAs its title suggests, Passages is centered on the concept of the interface, focusing on interfering places where new paradigms and transcultural, transmedia spaces and identities emerge. Thus, the key moment of crossing, traversing, and oscillating refers specifically to an epistemological approach that comprehends the world, life, and science in a new way beyond binary models. \u2018Passages\u2019 implies, on the one hand, the transgression of traditional and normative disciplinary boundaries and the (rhizomatic) interconnection of different fields of knowledge and, on the other, the title of the series refers to the rupture of cultural identities and locations, as well as the resulting oscillations and inbetween spaces. It is precisely in these \u2018liminal\u2019 spaces or interfaces, decisively shaped by intellectuals and writers, that the urgent questions of our time\u2014among other things, issues of belonging, and individ-ual and cultural identity\u2014come to the fore.<\/p>\n

Passages is supported by a team of internationally renowned scholars, who represent in the best possible way the methodological and thematic scope of the series and at the same time guarantee its high-quality standards.<\/p>\n

Learn more<\/a><\/p>\n

La collection Passages<\/em>, publi\u00e9e depuis 2002 et soumise \u00e0 un processus d\u2019\u00e9valuation par les pairs, aborde les francophonies <\/em>(du Maghreb, des Cara\u00efbes et du Canada) dans une perspective transdisciplinaire, transculturelle et transm\u00e9diale. La collection, qui publie des monographies et des ouvrages collectifs en fran\u00e7ais, espagnol, allemand, anglais, italien et portugais, s’adresse non seulement \u00e0 un public universitaire, mais aussi \u00e0 un lectorat non universitaire, g\u00e9n\u00e9ralement int\u00e9ress\u00e9 par des questions culturelles. Par ailleurs, la collection tient \u00e0 encourager surtout les jeunes chercheurs et chercheuses en publiant des th\u00e8ses de doctorat et d’habilitation remarquables et innovantes.<\/p>\n

Conform\u00e9ment \u00e0 son titre, la collection met l\u2019accent sur le concept de l\u2019interface, s\u2019int\u00e9ressant particuli\u00e8rement aux lieux d\u2019o\u00f9 \u00e9mergent de nouveaux paradigmes scientifiques, de nouveaux espaces transculturels et\/ou transm\u00e9diaux ainsi que des identit\u00e9s transculturelles. Le moment cl\u00e9 de la travers\u00e9e, du passage et de l\u2019oscillation renvoie ainsi tout particuli\u00e8rement \u00e0 une attitude \u00e9pist\u00e9mologique permettant d\u2019approcher le monde, la vie et la science d’une mani\u00e8re nouvelle, en allant au-del\u00e0 voire en transgressant une perspective binaire r\u00e9ductrice. \u2018Passages\u2019 d\u00e9signe alors, d\u2019une part, le d\u00e9passement des fronti\u00e8res disciplinaires traditionnelles et la mise en r\u00e9seau (rhizomatique) de diff\u00e9rents domaines de savoir ; d’autre part, le titre de la s\u00e9rie se r\u00e9f\u00e8re \u00e0 la \u2018dynamisation\u2019 des identit\u00e9s individuelles et culturelles tout en renvoyant aux espaces interm\u00e9diaires et aux entre-deux<\/em> qui en r\u00e9sultent. Ce sont, enfin, pr\u00e9cis\u00e9ment ces lieux ou interfaces \u2018liminaux\u2019, tels que les intellectuels et les \u00e9crivains les con\u00e7oivent et les fa\u00e7onnent, o\u00f9 r\u00e9sonnent les questions les plus urgentes de notre \u00e9poque, tels comme de l\u2019appartenance et de formation d\u2019identit\u00e9s individuelles et culturelles.<\/p>\n

La collection est dirig\u00e9e par une \u00e9quipe scientifique de renom international qui, par ses domaines d\u2019expertise, refl\u00e8te le mieux possible la grande vari\u00e9t\u00e9 m\u00e9thodologique et th\u00e9matique postul\u00e9e et qui garantit les standards de qualit\u00e9 \u00e9lev\u00e9s des ouvrages publi\u00e9s.<\/p>\n

En savoir plus<\/a><\/p>\n

La colecci\u00f3n peer reviewed Passagen<\/em>, que se publica desde 2002, tiene un enfoque transdisciplinario, transcultural y transmedial en el \u00e1mbito de las francofon\u00edas<\/em> (Magreb, Caribe y Canad\u00e1). La serie, que incluye monograf\u00edas y antolog\u00edas en franc\u00e9s, espa\u00f1ol, alem\u00e1n, ingl\u00e9s, italiano y portugu\u00e9s se dirige tanto a un p\u00fablico acad\u00e9mico como no acad\u00e9mico interesado en la cultura. Asimismo, promueve la participaci\u00f3n de j\u00f3venes universitarios en la publicaci\u00f3n de tesis doctorales y posdoctorales destacadas e innovadoras.<\/p>\n

En consonancia con su t\u00edtulo, la serie Passagen<\/em> se concentra en la figura del interfaz, lo que significa centrarse en lugares interferentes<\/em> donde surgen nuevos paradigmas y espacios transculturales y transmediales e identidades de pasajes. As\u00ed, el momento clave de cruzar, atravesar y oscilar se refiere especialmente a una postura epistemol\u00f3gica para captar de nuevo el mundo, la vida y la ciencia m\u00e1s all\u00e1 de los escenarios binarios. \u2018Pasajes\u2019 significa, por un lado, la transgresi\u00f3n de los (l\u00edmites) disciplinarios tradicionales y normativamente establecidos y la interconexi\u00f3n (rizom\u00e1tica) de diferentes campos del conocimiento; por otro, el t\u00edtulo de la serie hace referencia a la ruptura de identidades y localizaciones culturales, as\u00ed como a las oscilaciones y espacios intermedios resultantes. Es precisamente en esos espacios \u2018liminales\u2019 o interfaces, tal y como los configuran de manera decisiva intelectuales y escritores, donde se ponen de manifiesto las cuestiones urgentes de nuestro tiempo, que giran, entre otras cosas, en torno a la pertenencia y a la identidad individual y cultural.<\/p>\n

La serie Passagen<\/em> cuenta con el apoyo de un equipo de especialistas de renombre internacional que representan de la mejor manera posible la amplitud metodol\u00f3gica y tem\u00e1tica postulada y garantizan al mismo tiempo el alto nivel de calidad de la serie.<\/p>\n

Saber m\u00e1s<\/a><\/p>\n

La collana peer reviewed Passagen<\/em>, pubblicata dal 2002, ha un approccio transdisciplinare, transculturale e transmediale nel campo delle francofonie (Maghreb, Caraibi e Canada). La collana, che comprende monografie e antologie in francese, spagnolo, tedesco, inglese, italiano e portoghese, si rivolge a un pubblico accademico e non accademico interessato alla cultura. Promuove inoltre la partecipazione di giovani accademici alla pubblicazione di tesi di dottorato e post-dottorato eccellenti e innovative.<\/p>\n

In linea con il suo titolo, la collana Passagen<\/em> si concentra sulla figura dell\u2019interfaccia, ovvero sui luoghi di interferenza in cui emergono nuovi paradigmi e spazi transculturali e transmediali e identit\u00e0 di passaggio. Cos\u00ec, il momento chiave dell\u2019attraversamento, della traversata e dell\u2019oscillazione si riferisce soprattutto a una posizione epistemologica per cogliere nuovamente il mondo, la vita e la scienza al di l\u00e0 degli scenari binari. \u2018Passages\u2019 indica, da un lato, la trasgressione dei confini disciplinari tradizionali e normativamente stabiliti e l\u2019interconnessione (rizomatica) di diversi campi del sapere; dall\u2019altro, il titolo della serie si riferisce alla rottura di identit\u00e0 e luoghi culturali, nonch\u00e9 alle oscillazioni e agli spazi intermedi che ne derivano. \u00c8 proprio in questi spazi o interfacce \u2018liminali\u2019, cos\u00ec come sono stati plasmati in modo decisivo da intellettuali e scrittori, che emergono le questioni urgenti del nostro tempo, che ruotano, tra l\u2019altro, di appartenenza e identit\u00e0 individuale e culturale.<\/p>\n

La collana Passagen<\/em> si avvale di un team di specialisti di fama internazionale che rappresentano al meglio l\u2019ampiezza metodologica e tematica proposta e garantiscono al contempo l\u2019alto livello qualitativo della collana.<\/p>\n

Saperne di pi\u00f9<\/a><\/p>\n

A s\u00e9rie Passagen, revisada por pares e publicada desde 2002, tem uma abordagem transdisciplinar, transcultural e transmedial no campo das francofonias (Magrebe, Caribe e Canad\u00e1). A s\u00e9rie, que inclui monografias e antologias em franc\u00eas, espanhol, alem\u00e3o, ingl\u00eas, italiano, portugu\u00eas e alem\u00e3o, destina-se a p\u00fablicos acad\u00eamicos e n\u00e3o acad\u00eamicos interessados em cultura. Tamb\u00e9m promove a jovens acad\u00eamicos com a publica\u00e7\u00e3o de teses de doutorado e p\u00f3s-doutorado excepcionais e inovadoras.
\nDe acordo com seu t\u00edtulo, a s\u00e9rie Passagen se concentra na figura da interface, o que significa focalizar os locais de interfer\u00eancia onde surgem novos paradigmas, espa\u00e7os transculturais e transmediais e identidades de passagens. Assim, o momento-chave de cruzar, atravessar e oscilar delinea uma nova postura epistemol\u00f3gica para compreender o mundo, a vida e a ci\u00eancia al\u00e9m dos cen\u00e1rios bin\u00e1rios. \u2018Passages\u2019 significa, por um lado, a transgress\u00e3o de (limites) disciplinares tradicionais e normativamente estabelecidos e a interconex\u00e3o (rizom\u00e1tica) de diferentes campos do conhecimento; por outro lado, o t\u00edtulo da s\u00e9rie refere-se \u00e0 ruptura de identidades e lugares culturais, bem como \u00e0s oscila\u00e7\u00f5es e espa\u00e7os intermedi\u00e1rios resultantes. \u00c9 precisamente nesses espa\u00e7os ou interfaces \u2018liminares\u2019, moldados de forma decisiva por intelectuais e escritores, que surgem as quest\u00f5es urgentes de nosso tempo, que giram, e. o., em torno da perten\u00e7a e da identidade individual e cultural.<\/p>\n

A s\u00e9rie Passagen \u00e9 coordenada por uma equipe de especialistas de renome internacional que representam a amplitude metodol\u00f3gica e tem\u00e1tica proposta e que garantem a alta qualidade.<\/p>\n

Saber mais<\/a><\/p>\n\n <\/div>\n <\/div>\n <\/article>\n

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\n Theory and Critique of Culture and Literature (TCCL) \/ Theorie und Kritik der Kultur und Literatur (TKKL) \/ Teor\u00eda y cr\u00edtica de la cultura y literatura (TCCL) \/ Teoria e Cr\u00edtica da Cultura e da Literatura (TCCL)\n <\/h2>\n\n
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Theory and Critique of Culture and Literature (TCCL)<\/em><\/p>\n

Hispanophone und Lusophone Studien<\/em><\/p>\n

Teor\u00eda y cr\u00edtica de la cultura y literatura (TCCL)<\/em><\/p>\n

Estudios Hispan\u00f3fonos y Lus\u00f3fonos<\/em><\/p>\n

Teoria e Cr\u00edtica da Cultura e da Literatura (TCCL)<\/em><\/p>\n

Estudos Espanh\u00f3is e Lus\u00f3fonos<\/em><\/p>\n

Hispanophone and Lusophone Studies<\/em><\/p>\n

Editors \/ editores*as \/ editors \/ \u00e9diteurs <\/strong><\/p>\n

Birgit Mertz-Baumgartner<\/a> (Unviersity of Innsbruck)<\/em> (Managing Director\/Directora General)<\/p>\n

Annegret Richter<\/a> (University of Heidelberg) <\/em>(Managing Director\/Directora General)<\/p>\n

Alfonso de Toro<\/a> (University of Leipzig)<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n

Fernando Nina<\/a> (University of Heidelberg)<\/em><\/p>\n

Rafael\u00a0Olea\u00a0Franco\u00a0<\/a>(Colegio\u00a0de\u00a0M\u00e9xico)<\/em><\/p>\n

Cornelia Sieber<\/a> (University of Mainz\/Germersheim)<\/em><\/p>\n

Please send publication proposals for the series TKKL\/TCCL to Annegret Richter.
\nDeadlines for the submission of manuscripts: March 1, June 1, September 1, December 1.<\/p>\n

Publishing board \/ conseil de publication \/ consejo de publicaci\u00f3n <\/strong><\/p>\n

Ruth Fine\u00a0<\/a>(The Hebrew University of Jerusalem)<\/em><\/p>\n

Vladimir Guerrero<\/a> (Universidad Aut\u00f3noma de Chihuahua)<\/em><\/p>\n

Efra\u00edn\u00a0Kristal<\/a>\u00a0(University\u00a0of\u00a0California, Los Angeles)<\/em><\/p>\n

William Luis\u00a0<\/a>(Vanderbilt\u00a0University\u00a0Nashville)<\/em><\/p>\n

Michael\u00a0R\u00f6ssner<\/a>\u00a0(Ludwig\u2011Maximilians\u2011Universit\u00e4t Munich)<\/em><\/p>\n

Susanne Zepp-Zwirner<\/a> (University of Essen-Duisburg)<\/em><\/p>\n

The international, peer-reviewed Theory and Criticism of Culture and Literature (TCCL) series has been successfully published in several languages (English, French, German, Italian, Spanish, Portuguese, and French) since 1990. With its transdisciplinary, transcultural, and transmedial approach in the field of Latin American, Spanish, Portuguese, and Brazilian Studies, TCCL publishes monographs and anthologies in the main areas of the discipline aimed at both an academic and a culturally interested readership. In addition, the series traditionally promotes young academics on the basis of outstanding and innovative doctoral and post-doctoral theses. The series emphasizes research on theory and historical issues from different periods, with a clear focus from the 20th century onwards on topics such as Borges, Frida Kahlo, postmodernity, postcoloniality, hybridity, gender\/queer, transmediality, and cultural translation research (passages, transformations, transgressions), among others. This includes, for example, studies of the relationship of literature with historiography, science, philosophy, and media, the interpretation of the Chronicles of the Conquest and Colonization of Latin America, and narrative theory. Other fields of investigation \u2013 at the intersection between literary and cultural studies \u2013 include \u2018possible worlds\u2019, \u2018border culture\u2019 (\u2018Rethinking the Americas\u2019), \u2018Hispanic\/Latin-Culture,\u2019 and Hispanic-Caribbean research.<\/p>\n

The TCCL series is supported by a team of internationally renowned scholars, reflecting the scope of the discipline as well as the variety of theories and topics, while ensuring the high-quality standards of the series.<\/p>\n

Learn more<\/a><\/p>\n

La colecci\u00f3n international peer reviewed Teor\u00eda y Cr\u00edtica de la Cultura y la Literatura<\/em> (TCCL<\/em>), que se publica desde 1990 con \u00e9xito en varios idiomas (espa\u00f1ol, alem\u00e1n, ingl\u00e9s, franc\u00e9s, italiano y portugu\u00e9s), con su enfoque transdisciplinario, transcultural y transmedial en el \u00e1mbito de los estudios latinoamericanos, hisp\u00e1nicos, portugueses y brasile\u00f1os, se dirige tanto a un p\u00fablico acad\u00e9mico como a un lector interesado en la cultura con sus monograf\u00edas y antolog\u00edas sobre las principales \u00e1reas de la disciplina. Adem\u00e1s, tradicionalmente promueve a j\u00f3venes acad\u00e9micos y acad\u00e9micas sobre la base de tesis doctorales y posdoctorales destacadas e innovadoras.<\/p>\n

Un foco principal de atenci\u00f3n radica en la teor\u00eda y tambi\u00e9n en cuestiones de orden hist\u00f3rico de diversas \u00e9pocas, con un claro enfoque a partir del siglo XX en \u00e1reas de investigaci\u00f3n tales como Borges, Frida Kahlo, posmodernidad, poscolonialidad, hibridez, g\u00e9nero\/queer, transmedialidad, performatividad e investigaci\u00f3n de la traducci\u00f3n cultural (pasajes, transformaciones, transgresiones), entre otras. Esto incluye, por ejemplo, estudios de la relaci\u00f3n de la literatura con la historiograf\u00eda, con la ciencia, con la filosof\u00eda y los medios de comunicaci\u00f3n, con la interpretaci\u00f3n de las Cr\u00f3nicas de la Conquista y Colonizaci\u00f3n de Am\u00e9rica Latina o con la teor\u00eda narrativa. Otros campos de investigaci\u00f3n \u2013al interfaz entre los estudios literarios y culturales\u2013 son los de los \u2018possible worlds<\/em>\u2019, la \u2018cultura de frontera\u2019 (border culture\u2019<\/em> (\u2018Rethinking the Americas<\/em>\u2019), la cultura hisp\u00e1nica y la investigaci\u00f3n sobre el Caribe hisp\u00e1nico.<\/p>\n

La serie TCCL<\/em> cuenta con el apoyo de un equipo de especialistas de prestigio internacional, que refleja la amplitud del tema, as\u00ed como la variedad de teor\u00edas y temas, y garantiza al mismo tiempo el alto nivel de calidad de la serie.<\/p>\n

Saber m\u00e1s<\/a><\/p>\n

A s\u00e9rie Teoria e Cr\u00edtica da Cultura e da Literatura<\/em> (TCCL<\/em>) tem um foco transdisciplinar, transcultural e transmedial e dirige-se em diferentes l\u00ednguas (ingl\u00eas, franc\u00eas, alem\u00e3o, italiano, espanhol, portugu\u00eas e franc\u00eas) tanto a um p\u00fablico acad\u00e9mico como a um p\u00fablico culturalmente interessado. As monografias e antologias abordam uma vasta gama de t\u00f3picos no campo dos estudos latino-americanos, espanh\u00f3is, portugueses e brasileiros. A exitosa s\u00e9rie est\u00e1 internacionalmente estabelecida desde 1990, as publica\u00e7\u00f5es s\u00e3o submetidas \u00e0 revis\u00e3o por pares. A s\u00e9rie promove tradicionalmente os jovens acad\u00e9micos atrav\u00e9s da publica\u00e7\u00e3o de teses de doutoramento e p\u00f3s-doutoramento excepcionais e inovadoras.<\/p>\n

A aten\u00e7\u00e3o centra-se na teoria e tamb\u00e9m em quest\u00f5es hist\u00f3ricas de v\u00e1rias \u00e9pocas, com enfoque, a partir do s\u00e9culo XX, em \u00e1reas de investiga\u00e7\u00e3o como Borges, Frida Kahlo, p\u00f3s-modernidade, p\u00f3s-colonialidade, hibridismo, g\u00e9nero\/queer, trans-medialidade, performatividade e investiga\u00e7\u00e3o em tradu\u00e7\u00e3o cultural (passagens, transforma\u00e7\u00f5es, transgress\u00f5es), entre outras. Incluem-se aqui, por exemplo, estudos sobre a rela\u00e7\u00e3o da literatura com a historiografia, com a ci\u00eancia, com a filosofia e os media, com a interpreta\u00e7\u00e3o das Cr\u00f3nicas da Conquista e Coloniza\u00e7\u00e3o da Am\u00e9rica Latina ou com a teoria da narrativa. Outros campos de investiga\u00e7\u00e3o – na interface entre os estudos liter\u00e1rios e culturais – s\u00e3o os \u2018mundos poss\u00edveis\u2019 e a \u2018cultura de fronteira\u2019 (\u2018Repensar as Am\u00e9ricas\u2019), entre outros.<\/p>\n

A s\u00e9rie TCCL<\/em> \u00e9 dirigida por uma equipa internacionalmente reconhecida de acad\u00e9micos que reflectem a amplitude tem\u00e1tica e a gama de teorias, assegurando desta forma os elevados padr\u00f5es de qualidade da s\u00e9rie.<\/p>\n

Saber mais<\/a><\/p>\n

La collection Th\u00e9orie et critique de la culture et de la litt\u00e9rature<\/em> (TCCL<\/em>), ancr\u00e9e au niveau international et \u00e9valu\u00e9e par les pairs, para\u00eet avec succ\u00e8s depuis 1990 en plusieurs langues (espagnol, allemand, anglais, fran\u00e7ais, italien et portugais). Avec son approche transdisciplinaire, transculturelle et transm\u00e9diatique dans le domaine des \u00e9tudes sur l\u2019Am\u00e9rique latine, l\u2019Espagne, le Portugal et le Br\u00e9sil, elle s \u2018adresse aussi bien \u00e0 un public acad\u00e9mique qu\u2019\u00e0 un public int\u00e9ress\u00e9 par la culture, en publiant des monographies et des ouvrages collectifs sur les principaux domaines de la discipline. En outre, il est dans la tradition de la collection d\u2019encourager les jeunes universitaires en publiant des th\u00e8ses de doctorat et d\u2019\u00c9tat remarquables et innovantes.<\/p>\n

Une grande attention est accord\u00e9e \u00e0 la th\u00e9orie de la litt\u00e9rature et de la culture ainsi qu\u2019aux questions historiques de diff\u00e9rentes \u00e9poques, avec une nette priorit\u00e9 pour le XXe si\u00e8cle dans des domaines tels que la recherche sur Borges, Frida Kahlo, le postmodernisme, la postcolonialit\u00e9, l\u2019hybridit\u00e9, le genre\/queer, la transm\u00e9dialit\u00e9 et la translation culturelle (transitions, transformations, transgressions). Les recherches sur les rapports entre la litt\u00e9rature et l \u2018historiographie, la science, la philosophie et les m\u00e9dias, l\u2019interpr\u00e9tation des Chroniques de la Conqu\u00eate et de la Colonisation de l\u2019Am\u00e9rique latine, la th\u00e9orie des r\u00e9cits, par exemple, y occupent une place pr\u00e9dominante. D\u2019autres champs d\u2019investigation – \u00e0 l\u2019interface entre la litt\u00e9rature et les \u00e9tudes culturelles \u2013 comprennent la recherche sur les \u00ab\u00a0possible worlds<\/em>\u00a0\u00bb, la \u00ab\u00a0border culture<\/em>\u00a0\u00bb (\u00ab\u00a0Rethinking the Americas<\/em>\u00a0\u00bb), la \u00ab\u00a0Hispanic\/Latine-Culture<\/em>\u00a0\u00bb et les Cara\u00efbes hispaniques.<\/p>\n

La s\u00e9rie TCCL<\/em> est soutenue par une \u00e9quipe de chercheurs et chercheuses de renomm\u00e9e internationale qui refl\u00e8tent l\u2019ampleur de la discipline ainsi que la gamme des th\u00e9ories et des th\u00e8mes, et qui garantissent les standards de qualit\u00e9 \u00e9lev\u00e9s de la collection.<\/p>\n

Vers la collection<\/a><\/p>\n

La collana internazionale e peer-reviewed Teoria e Critica della Cultura e della Letteratura<\/em> (TCCL<\/em>), che dal 1990 viene pubblicata con successo in diverse lingue (Inglese, Francese, Tedesco, Italiano, Spagnolo, Portoghese e Francese) con un approccio transdisciplinare, transculturale e transmediale nel campo degli Studi Latinoamericani, Ispano, Portoghesi e Brasiliani, si rivolge sia a un pubblico accademico che a un pubblico culturalmente interessato con le sue monografie e antologie sulle principali aree tematiche. Inoltre, promuove tradizionalmente giovani accademici sulla base di tesi di dottorato e post-dottorato eccellenti e innovative.<\/p>\n

Un focus centrale d \u2018attenzione \u00e8 costituito dal pensiero teorico e anche dalle questioni storiche di varie epoche, con una chiara attenzione, a partire dal XX secolo, ad aree come Borges, Frida Kahlo, la postmodernit\u00e0, la postcolonialit\u00e0, l\u2019ibridit\u00e0, il genere\/queer, la transmedialit\u00e0, la performativit\u00e0 e la ricerca sulla traduzione culturale (passaggi, trasformazioni, trasgressioni), tra le altre. Ci\u00f2 include, ad esempio, studi sul rapporto della letteratura con la storiografia, la scienza, la filosofia e i media, l\u2019interpretazione delle Cronache della Conquista e della Colonizzazione dell\u2019America Latina e la teoria narrativa. Altri campi di indagine \u2013 all\u2019interfaccia tra studi letterari e culturali \u2013 sono quelli dei \u2018possible worlds<\/em>\u2019, della \u2018border culture<\/em>\u2019 (\u2018Rethinking the Americas<\/em>\u2019), della ricerca sulla \u2018Hispanic\/Latine-Culture<\/em>\u2019 e sulla \u2018Hispanic\/Latine-Culture<\/em>\u2019 e della ricerca ispano-caraibica.<\/p>\n

La collana TCCL<\/em> si avvale di un team di studiosi riconosciuto a livello internazionale che riflette l\u2019ampiezza della disciplina e la gamma di teorie e argomenti, garantendo al contempo gli elevati standard qualitativi della collana.<\/p>\n

Saperne di pi\u00f9<\/a><\/p>\n\n <\/div>\n <\/div>\n <\/article>\n

\n
\n

\n Theory and Practice of Theatre. Performance and Visual Arts (TPTPVA) \/ Theorie und Praxis des Theaters. Performance und Visuelle K\u00fcnste (TPTPVK) \/ Teor\u00eda y Pr\u00e1ctica del Teatro. Performance y Artes Visuales (TPTPAV) \/ Teoria e Pr\u00e1tica do Teatro. Performance e Artes Visuais (TPTPAV)\n <\/h2>\n\n
\n

Theory and Practice of Theatre. Performance and Visual Arts (TPTPVA)<\/span><\/p>\n

Hispanophone and Lusophone Studies<\/span><\/p>\n

Teor\u00eda y Pr\u00e1ctica del Teatro. Performance y Artes Visuales (TPTPAV)<\/span><\/p>\n

Estudios Hispan\u00f3fonos y Lus\u00f3fonos<\/span><\/p>\n

Teoria e Pr\u00e1tica do Teatro. Performance e Artes Visuais (TPTPAV)<\/span><\/p>\n

Estudos Hispanofonos y Lusofonos<\/span><\/p>\n

Editors \/ \u00e9diteurs<\/strong>\u00a0\/ <\/strong>editores*as<\/strong><\/p>\n

Cerstin Bauer-Funke<\/a> (University M\u00fcnster)\u00a0 <\/em>(Managing Director\/Director General)<\/p>\n

Alfonso de Toro<\/a> (University Leipzig) (<\/em>Managing Director\/Director General)<\/p>\n

Alison Guzm\u00e1n<\/a> (Bentley University, MA)<\/em><\/p>\n

Mauricio Barr\u00eda<\/a> (Universidad de Chile)<\/em><\/p>\n

Simone Trecca<\/a> (Universit\u00e0 degli Studi Roma Tre)<\/span><\/p>\n

Lourdes Bueno<\/a> (AddRan College of Liberal Arts)<\/span><\/p>\n

Please send publication proposals for the series TPTPVA to Cerstin Bauer-Funke and Alfonso de Toro.
\nDeadlines for the submission of manuscripts: March 1, June 1, September 1, December 1.<\/p>\n

Publishing board\/Consejo de publicaci\u00f3n\/Conseil de publication<\/strong><\/p>\n

Maril\u00e9n Loyola<\/a> (Lake Forest College, IL)<\/p>\n

Enrico Di Pastena<\/a> (Universit\u00e0 di Pisa)<\/p>\n

Helen Freear-Papio<\/a> (College of the Holy Cross, MA)<\/p>\n

The international, peer-reviewed<\/em><\/span> Theory and Practice of Theatre. Performance and Visual Arts.<\/span><\/em>
Hispanophone and Lusophone Studies<\/span><\/em> (<\/span>TPTPVA<\/span>)<\/span> series has been successfully published in<\/span>
several languages (English, French, German, Italian, Spanish, Portuguese, and French) since<\/span>
1990. With its transdisciplinary, transcultural, and transmedial approach in the field of Latin<\/span>
American, Spanish, Portuguese, and Brazilian Studies,<\/span> TPTPVA<\/span> publishes monographs and<\/span>
anthologies in the main areas of the discipline aimed at both an academic and a culturally<\/span>
interested readership. In addition, the series traditionally promotes young academics on the<\/span>
basis of outstanding and innovative doctoral and post-doctoral theses.<\/span><\/p>\n

The focus is on questions of theory formation as well as historical and current issues, with a<\/span>
particular focus on the 20th and 21st centuries, including topics such as the body, sexuality,<\/span>
objects, staging, society, historicisation, postmodern and postcolonial theatre (Cuti movement),<\/span>
performance, transmediality, hybridisation, gender, queer culture, chicano culture,<\/span> teatro de la<\/span>
memoria<\/span>, cybor and installation art. The connection to the public-political-social space in<\/span>
interaction with science, philosophy, cultural studies and media in general is also important.<\/span><\/p>\n

The<\/span> TPTPVA<\/span><\/em> series is supported by a team of internationally renowned scholars, reflecting the<\/span>
scope of the discipline as well as the variety of theories and topics, while ensuring the high<\/span>
quality standards of the series.<\/span><\/p>\n

Learn more<\/a><\/p>\n

La colecci\u00f3n international<\/span> peer reviewed<\/span><\/em>,<\/span> Teor\u00eda y Pr\u00e1ctica del Teatro. Performance y Artes<\/span><\/em>
Visuales. Estudios Hispan\u00f3fonos y Lus\u00f3fonos<\/span><\/em> (<\/span>TPTPAV<\/span>) publicada exitosamente desde 1990<\/span>
en diversas lenguas (espa\u00f1ol, alem\u00e1n, ingl\u00e9s, franc\u00e9s, italiano y portugu\u00e9s), tiene un enfoque<\/span>
transdisciplinario, transcultural y transmedial. Con sus monograf\u00edas y antolog\u00edas sobre un<\/span>
amplio abanico de temas en el campo del teatro y el espect\u00e1culo latinoamericanos, espa\u00f1oles,<\/span>
portugueses y brasile\u00f1os, as\u00ed como de los estudios sobre artes visuales, se dirige tanto a un<\/span>
p\u00fablico acad\u00e9mico como a un p\u00fablico interesado por la cultura. Adem\u00e1s, la serie promueve<\/span>
tradicionalmente<\/span> a<\/span> j\u00f3venes<\/span> acad\u00e9micos<\/span> mediante<\/span> la<\/span> publicaci\u00f3n<\/span> de<\/span> tesis<\/span> doctorales<\/span> y<\/span>
posdoctorales destacadas e innovadoras.<\/span><\/p>\n

La atenci\u00f3n se centra en cuestiones de formaci\u00f3n te\u00f3rica, as\u00ed como en temas hist\u00f3ricos y<\/span>
actuales, con especial \u00e9nfasis en los siglos XX y XXI, incluyendo temas como el cuerpo,<\/span>
sexualidad, objetos, instalaciones, mu\u00f1ecos, formas de escenograf\u00edas, sociedad, historia, teatro<\/span>
posmoderno y poscolonial, teatro de minor\u00edas, performance, formas de transmedialidad,<\/span>
hibridaci\u00f3n, g\u00e9nero, cultura queer, cultura chicana\/hispanics, teatro de la memoria, cybor.<\/span>
Tambi\u00e9n es importante la conexi\u00f3n con el espacio p\u00fablico-pol\u00edtico-social en interacci\u00f3n con la<\/span>
ciencia, la filosof\u00eda, los estudios culturales y los medios de comunicaci\u00f3n y artes en general.<\/span><\/p>\n

La serie<\/span> TPTPAV<\/span><\/em> cuenta con el apoyo de un equipo internacionalmente reconocido de<\/span>
acad\u00e9micos que reflejan la amplitud del tema, as\u00ed como la gama de teor\u00edas y temas, y al mismo<\/span>
tiempo garantizan los altos est\u00e1ndares de calidad de la serie.<\/span><\/p>\n

Saber m\u00e1s<\/a><\/p>\n

A cole\u00e7\u00e3o internacional revista por pares,<\/span> Teoria e Pr\u00e1tica do Teatro. Performance e Artes<\/span><\/em>
Visuais. Estudios Hispan\u00f3fonos y Lus\u00f3fonos<\/span><\/em> (<\/span>TPTPAV<\/span>), publicada com sucesso desde 1990 em<\/span>
v\u00e1rias l\u00ednguas (espanhol, alem\u00e3o, ingl\u00eas, franc\u00eas, italiano e portugu\u00eas), tem uma abordagem<\/span>
transdisciplinar, transcultural e transmedial. Com as suas monografias e antologias sobre uma<\/span>
vasta gama de temas nos dom\u00ednios do teatro e da performance latino-americanos, espanh\u00f3is,<\/span>
portugueses e brasileiros, bem como dos estudos de artes visuais, dirige-se tanto a um p\u00fablico<\/span>
acad\u00e9mico como a um p\u00fablico culturalmente interessado. Al\u00e9m disso, a s\u00e9rie promove<\/span>
tradicionalmente os jovens acad\u00e9micos atrav\u00e9s da publica\u00e7\u00e3o de teses de doutoramento e p\u00f3s-<\/span>
doutoramento excepcionais e inovadoras.<\/span><\/p>\n

A aten\u00e7\u00e3o centra-se em quest\u00f5es de forma\u00e7\u00e3o te\u00f3rica, bem como em quest\u00f5es hist\u00f3ricas e<\/span>
actuais, com especial \u00eanfase nos s\u00e9culos XX e XXI, incluindo temas como o corpo, a<\/span>
sexualidade, os objectos, as instala\u00e7\u00f5es, as marionetas, as formas c\u00e9nicas, a sociedade, a<\/span>
hist\u00f3ria, o teatro p\u00f3s-moderno e p\u00f3s-colonial, o teatro das minorias, a performance, as formas<\/span>
de transmedialidade, o hibridismo, o g\u00e9nero, a cultura queer, a cultura chicana\/hisp\u00e2nica, o<\/span>
teatro da mem\u00f3ria, o cybor. \u00c9 igualmente importante a liga\u00e7\u00e3o com o espa\u00e7o p\u00fablico-pol\u00edtico-<\/span>
social em intera\u00e7\u00e3o com a ci\u00eancia, a filosofia, os estudos culturais e os meios de comunica\u00e7\u00e3o<\/span>
social e as artes em geral.<\/span><\/p>\n

La collana<\/span> TPTPAV<\/span><\/em> si avvale di un team di studiosi riconosciuto a livello internazionale che<\/span>
riflette l\u2019ampiezza della disciplina e la gamma di teorie e argomenti, garantendo al contempo gli elevati standard qualitativi della collana.<\/span><\/p>\n

Saber mais<\/a><\/p>\n

 <\/p>\n\n <\/div>\n <\/div>\n <\/article>\n

\n
\n

\n Romanistische Text und Studien\n <\/h2>\n\n
\n

The series Romance Texts and Studies is dedicated to the classical and contemporary literature of France and Italy. Studies on Proust, Flaubert, Zola, Italo Svevo and others have appeared here so far.<\/p>\n

The multi-volume work of the Romance scholar Paul Geyer is important: From Dante to Ionesco. Literary History of Modern Man in Italy and France. Published so far: Volume 1: The Italian Renaissance. From Dante to Tasso. (2nd ed.) Volume 2: The French Classicism. Montaigne, Descartes, La Rochefoucauld, Moli\u00e8re, Racine, Madame de Lafayette.<\/p>\n

Learn more <\/a><\/p>\n\n <\/div>\n <\/div>\n <\/article>\n <\/div>\n<\/section>\n\n\n

\n
\n

With you from start to finish <\/h4>\n \n
<\/div>\n
\n
\n \n Publish today \n <\/a>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":18,"featured_media":2436,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2331","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nRomance Studies | Georg Olms Verlag<\/title>\n<meta name=\"description\" content=\"At the forefront of our Romance Studies and Hispanism programme are three influential book series which are equally interdisciplinary and provocative.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.olms.de\/en\/romance\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" 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